Eine deutsche Übersetzung dieser Biografie folgt.
Known for both her artistry and flawless vocal technique alike, Jane Archibald has generated excitement across Europe and North America with recent engagements including the title role in Salome at Teatro Petruzzelli Bari, Daphne at Oper Frankfurt; the title role in Alcina at Glyndebourne; Mathilde in Guillaume Tell at Opéra National de Lyon; Tytania in A Midsummer Night’s Dream at the Deutsche Oper Berlin; Roxana in King Roger at Oper Frankfurt; the title role in Semele with the Shanghai Philharmonic Orchestra and Ginevra in Ariodante at the Palau de les Arts Reina Sofia.
In the 2022/2023 season Jane will make her role debut as Salomé at Teatro di Bari. In concert, Jane sings the soprano solo in Beethoven’s Symphony No. 9 with Calgary Philharmonic Orchestra; Mozart’s Requiem with National Arts Centre Orchestra and Bernard Labadie; Mozart’s Exsultate, jubilate with Orchestre Symphonique de Montréal and Kent Nagano; Mozart’s Requiem with Toronto Symphony Orchestra and Michael Francis; works by Haydn and Beethoven with the Orchestra dell’Opera Carlo Felice Genova and Riccardo Minasi; and Debussy’s La Damoiselle élue and Dutilleux’s Correspondances with Seattle Symphony and Ludovic Morlot.
Other operatic highlights include Donna Anna in Don Giovanni, Konstanze in Die Entführung aus dem Serail, and the title role in Lucia di Lammermoor, the three Heroines in Les Contes d’Hoffmann, and Cleopatra in Giulio Cesare in Egitto.
Jane lives in Halifax, NS, with her husband, tenor Kurt Streit, and their two children.
Sylvain Cambreling, Jane Archibald, Monteverdi-Chor Hamburg – Werke von Mozart, Strauß, Berg und Brahms